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Ars Hbrida

Frank MacYouch


Ars Hbrida

Frank MacYouch



AßSTRACT

Art and Non-@rt

In an age of vertiginous global transformations, artistic experiences increase and link according to unexpected ways. Artistic expressions, such as fashions, customs, behaviors, and ideas express their time and reflect the society in which they occur. Therefore, any attempt to define with coherence what is the art and what is not proves unsuccessful. The aesthetic canon is just relative and varies according to history. So we undertook reflections on contemporary art, trying to relate them to the work and the activity of an artist, Frank MacYouch, who, despite being outside of any labeling, calls himself, in a joking way, a non-artist. He promotes thus an idea of art and "making art", whose ambition is that to let arts converge and amalgamate into an original synthesis, made of styles, expressions, and procedures that operate in a "border area" between art and non-art. In this area, "hybridization" and contamination are not only common practice but a source of inspiration and guidance. Tools are multifaceted, from graphics to painting, from photography to computer graphics. Our reflections, besides, have a discursive nature, being structured around thematic ideas, without claiming to be systematic. Sometimes reflections include explanatory notes and sometimes in-depth analysis. A detailed description of the main artist's projects follows soon after and illustrates techniques and materials used by the artist, above all, methods and tools that, starting from a few basics, defined "algorithms", allow each project to become effective through research and experimentation, producing abstract compositions and unconventional paintings, based on bright colors and dynamic structures. The entire site aims "to be read", not just browsed. Therefore, it isn't a showcase full of "good intentions", nor a virtual bulletin board we can access and then forget through a hasty "like". According to the intentions of the author, we should read and consult the site of Ars Hybrida as a book because it preserves its same structure and, as a book, we should deepen it chapter by chapter, page by page. And, to satisfy those who prefer a traditional reading to web browsing, the author also published a printable versionimage of the site, making it available both as PDF and EPUB.  Enjoy the reading!

 

ARS HBRIDA

 


   Reflections on Hybrid Art


This section describes the concept of "hybrid art", as a rich mixture of genres and trends. We analyze here, the "reference models" of the artist, i.e. the set of techniques and procedures used by him to carry out his works. The goal of these reflections is to allow anyone who wants to experiment with hybrid art and creativity, to regain his own inner space and the human dimension involved in it. The "artistic laboratory" is, therefore, an ideal place for meditation and inner stability, not only for ideas and creative work. Topics covered in this section are:

The art of assemblage

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An indispensable introduction

Reaching a goal with the slightest effort is not a commonplace, as it might appear. Because of its complexity, the creative act is difficult to plan all the way; art is a process ...   continue

The concept of hybrid art

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Ars Hybrida and surroundings

Brian Eno, speaking of his art, music, claimed to be a craftsman, a 'non-musician'. He said the concept of modular craftsmanship inspired him: I first draw ...   continue

Reference models

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Between modernity and post-modernity

Reference models are as numerous as the impulses that every day the society, education, and media provide to the intelligence and the inner ...   continue

Between graphics and painting

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From layout to final assembly

Gontemporary artists use different means and sometimes combine them within a single work. From painting to drawing, from photography to sculpture ...   continue

Computer graphics

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Digital Art and surroundings

mage design and transformation, color settings, shape balancing, grid sizing, middle-term simulation results, up printing tests, they all are areas of ...   continue

Zen and manual dexterity

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The minimalist laboratory

In the chapter 'Reference models' we mentioned in short the decorative value that a work of art can take in relation to its distinctive medium ...   continue


 

   Projects and production


This section describes the projects realized by the artist and analyzes not only techniques and materials, but also methods and procedures, through which each project, starting from a few ideas, which the artist defines "algorithms", takes shape, little by little, turning itself into a powerful and meticulous work of research and experimentation. This method considers both unexpected contingencies and the use of special procedures and unconventional materials. The projects analyzed below are six:

Visual extrapolations

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Extrapolating from reality

Sometimes we can plan a journey or adventure months before, but circumstances, together with passion, observation, and exploration, play more often ...   continue

Visual metamorphoses

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Reinterpreting reality

As we have seen, collage allows us to create abstract compositions with harmonious and vivid colors. But it doesn't allow us to manipulate shapes and colors ...   continue

Inner layers

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Beyond the appearance

'Inner Layers' represent, in some respects, an even more critical turning point than the 'Visual extrapolation'. I attended the European Institute of Designn ...   continue

Horizontal plots

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Horizontal schemes

'Horizontal plots' and the subsequent 'Vertical plots', if we want to consider them from the view of experimentation and technical innovation, can appear ...   continue

Vertical plots

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Vertical schemes

Spaces and paths of contemporary civilization reflect, in broad terms, dynamics and processes of globalization, that is mercantile and thus cultural ...   continue

Oblique convergences

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Unexpected convergences

echniques, methods, approaches, solutions, tools, everything seems to converge towards a new expressive mastery and a greater awareness of art, of its ...   continue

 

Galleries Section 


This section shows works by the artist Frank MacYouch, who is also the author of all texts and reflections available in this site. Pictures divide into groups, by size and shape, to facilitate their view, in sequential order. Each gallery exhibits no more than 50 paintings. To avoid slow page loading, we reduced image resolution to the detriment of quality. However, if this benefits visualization, first for those who don't own a fast connection, current compression format (.jpeg) can cause "grainy images". So, it was necessary to eliminate all degraded pictures. As a result, collections are incomplete and cataloging work is provisional. Therefore, those who need to examine them in high resolution, can visit our Instagram page, where they are almost all exhibited in high resolution.
rs Hybrida intends besides to broaden its artistic research, opening and promoting its free project to anyone who wants to engage with "hybrid art", as extensively theorized by us on the pages of this site. To this purpose, we published a printable version of the site, in the form of an e-book, Ars Hybrida: an atypical painting manual for artists and non-artistsimage, for all those who prefer traditional reading to the Internet. In the end, a Contact section is also available for a visit, information and details.

 

Concept Study n. H&004F - Next Generation to Come, Bologna 2030: project for a wall installation at OTTO Gallery.


Gallery n. 1

This gallery contains works on canvas or cardstock with dimensions between 40x40 and 180x180 cm. We have scaled images to a fixed size of 500x500 px, to allow a smooth and uniform display and prepare them for a linear reading.


Go to gallery 1
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Gallery n. 2

This gallery contains works on canvas or cardstock with dimensions between 60x40 and 120x80 cm (arranged horizontally). We have scaled images to a fixed size of 600x420 px, to allow a smooth and uniform display and prepare them for a linear reading.


Go to gallery 2
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Gallery n. 3

This gallery contains works on canvas or cardstock with dimensions between 40x60 and 80x120 cm (arranged vertically). We have scaled images to a fixed size of 420x600 px, to allow a smooth and uniform display and prepare them for a linear reading.


Go to gallery 3
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immmagine

 

Umberto Eco argued that "the work of art is an ambiguous message, a plurality of meanings that coexist in a single signifier", while Marcel Duchamp defined the artist "a man like everyone else, who does certain things". However, the most explicit was Andy Warhol: "An artist is a person who produces things that people don't need to have but that he, for some reason, thinks it would be a good idea to give them". Well, my hunting ground is this: a cat wouldn't be able to do without its tuna cans.
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ABOUT


 Information on Ars Hybrida and Frank MacYouch

Ars Hybrida
arises from an initiative by the artist Frank MacYouch who, as an art scholar and an art lover, is the author of all texts and works on this website. As art director of AGP&S - Graphic Studio, besides, he is the creator of its design and graphics. Contents organization, works selection and subjects deepening result from a conscious, passionate, and documented work, which has continued over the years. Ars Hybrida presents itself as a free project open to all, or to anyone who recognizes himself in its principles and methodologies and who intends to broaden the horizons of his artistic research. For information and details, visit the Contact section.



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Project for a decorative wall - pencil on cardstock


Frank MacYouch
studied Graphic Design and Computer Graphics at the European Institute of Design. He has a degree in Modern Literature, with a graduate thesis in Computer Science Applied to the Humanities, and has a master degree in Philology for Cultural Industry, with a senior thesis in Digital Publishing. He is an IT professional and deals with CMS, semantic languages, Desktop Publishing and, Graphic Design and occasionally works as journalist and writer.

Frank MacYouch deals with:

Graphics: 95%

Painting: 65%

Design: 40%

Desktop Publishing: 85%



Besides painting, graphics, web design and computer science, Frank MacYouch also deals with oriental philosophies, systems theory, and generative linguistics. In a technologized and ever more fragmented world, he shares a holistic approach to life, working for de-growth and environmental sustainability. Like Fritjof Capra, of whom he is a sincere admirer, he believes that science and technology must operate according to ethical principles, not for oligarchic and plutocratic interests, but the collective good. He founded a cultural association called Green Enso and he also created AGP&S - Studio Grafico website, of which he is Art Director.
(AGP&S - Studio Grafico is a free and non profit project, whose goal isn't the distribution and sale of graphics and artistic products, but the promotion of activities and ideas, as a reference point for theoretical reflection on graphics, desktop publishing, and multimedia communication)


Catalog

510
Works in draft
255
Completed works
3
Publications
4
Exhibitions and events

Due to the difficulty of transposing artworks on canvas and cardstock, according to the methods and techniques already described on this site, original works are not for sale but remain available for exhibitions or events. Also, we are planning a monograph dedicated to the author and a catalog of all his works. For more information, see the  Contact section.


 

 
 

CONTACTS

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Cerca con Wikipedia

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Dino Ferruzzi

Artist, painter, sculptor: Italian

Dino Ferruzzi is an artist and lecturer at Italian Public Art School ‘Bruno Munari' in Cremona. He is one of the founders of CareOf, Documentation Center for Contemporary Art and in 2003 he founded and directed the CRAC - Centro Ricerca Arte Contemporanea (Cremona - Italy), a space dedicated to educational training and experimentation. (vedi:  CareOf).

Main works:  various projects  (paintings, sculptures, installations),  TEN YEARS 2004-2014: CRAC Centro Ricerca Arte Contemporanea  (essays)

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Gino Roncaglia

Filosofo, saggista: italiano

Gino Roncaglia is among the pioneers of the Internet in Italy and a founding member of the cultural association "Liber Liber". He wrote with Marco Calvo, Fabio Ciotti, and Marco Zela some successful manuals on the Internet, published by Laterza (Italy). He is the author of numerous studies and research on digital publishing, network cultures, and the Internet and a well-known scholar of the history of Logic between the Middle Ages and Leibniz. (see:  Digital humanities).

Main works:  La quarta rivoluzioneIl mondo digitale. Introduzione ai nuovi mediaPalaestra Rationis. Discussioni su natura della copula e modalità nella filosofia Scolastica tedesca del XVII secolo, etc.